Episode 1 · Mature · 18+ private alpha
Chapter One: August 14
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About this story
Cass Miller is fifty-two and worn thin, by severe fibromyalgia and by a lifetime of being told she is too much trouble in a world built for other people. Then she finds Seafoam, a stilt cottage on a hidden Mississippi canal, and everything eases. The pain quiets. The house seems to fit her, right down to her left-handed grip. A soft-spoken handyman named Beau begins to feel like home. For the first time in years, Cass feels truly cared for. She is only starting to wonder what that kind of care will cost her.
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These warnings apply to the story as a whole.
- Chronic illness and medical themes
- Psychological horror and dread
- Grief and loss
Story Soundtrack
The Weaver's Knot
From the story world
The drive from Memphis was hours of white-knuckling the steering wheel, my nerves raw the whole way. Fibromyalgia doesn't care that you're starting a new life. Neither does the inflammatory arthritis riding shotgun with it. They don't care that you've finally escaped a legal secretary job that treated your hands like disposable machinery. They just want to remind you, with every pothole on I-55, that you're fifty-two and every mile is going to cost you tomorrow.
Everything I owned that still mattered was in the back of my SUV, the seats dropped flat to make room. What was left of my life, packed around the one thing I refused to leave behind: my sewing chair. It was heavy and awkward and frankly ugly, the only thing that had ever really supported my lower back. I couldn't afford movers, so a neighbor had helped me wrestle it into the back the morning I left.
Bay St. Louis was damp. That was the only word for it. It wasn't just the air; it was the history. You could smell it the moment you turned off the main road toward the canal, a heavy, sweet-rot scent of blooming jasmine and brackish water.
The GPS had died three miles back. Of course it had. The place felt like it existed in a pocket of time where satellites were just a rumor. I found the turn-off by looking for the "crooked willow," just like the rental agreement said. The road wasn't paved. It was white, sun-bleached oyster shells that crunched under my tires.
Then, there it was. Cypress Canal.
The water was the color of black tea, dark and still, giving nothing away. Seven cottages sat on stilts along the bank, painted in faded pastels scrubbed raw by salt and years.
Mine was at the end. Seafoam. A pale, sickly green that somehow looked beautiful against the dark wall of cypress trees.
I parked at the end of the row and got out, leaning against the back of the SUV, letting the flare grind through my hips the way it did most days. That was when he appeared. He didn't walk up; he just seemed to materialize from the shadow of a live oak.
"You're the southpaw," he said.
Not Hello. Not Welcome to the neighborhood.
He looked to be in his late fifties, a fair stretch older than me. Sun-bleached hair more salt than pepper, and weathered brown skin. He wore a linen shirt stained with what looked like salt spray, and he smelled unexpectedly of cedar oil and the Gulf.
"Cass Miller," I managed, clutching my left hand to my chest. My knuckles were swollen and stiff, the way they got after a long day of operating in a world built for right-handed people. "And yes. I'm a lefty. How did you—"
"Hester mentioned it," he said. He didn't offer a hand to shake, which I appreciated. My joints weren't up for the social contract of a squeeze. "I'm Beau. I look after the place."
Beau, then. The man who looked after the place. He moved with a quiet, heavy grace, like someone who had spent a long time walking on shifting sand. He didn't make small talk. He didn't ask if I needed help with the boxes. He just reached into the back and lifted two of the heaviest ones like they weighed nothing.
"I can do that," I lied. It's a reflex. A lifetime of being told I'm "clumsy" or "difficult" because I smudge ink when I write or fight with right-handed scissors makes you defensive. You learn to power through the pain just to prove you aren't a burden.
Beau didn't argue. He didn't even look back. He just carried the boxes up the wooden stairs to the porch of Seafoam. Then he came back down, past me, and lifted the sewing chair out of the back, that heavy, awkward thing I'd braced myself to wrestle inside alone, and carried it up too.
I followed him, every step, a careful negotiation with my knees. The humidity was a physical weight, like walking through wet wool. By the time I reached the porch, the brain fog was rolling in, making it hard to remember why I was there or what I was supposed to do next.
Beau was inside. I heard the low, rhythmic thunk of a hammer.
When I hobbled through the door, he was kneeling on the floorboards just outside the small room I'd earmarked from the listing photos as my quilting studio.
"The third board had a swell," he said, not looking up. "Would've tripped you in the dark. It's flush now."
He stood, wiped his hands on his trousers, and walked over to the sewing chair he'd just set down by the studio doorway. He tightened a screw I didn't even know was loose, worked the back until it sat square, and leveled the feet on the uneven cypress floor.
He did it all without being asked, without making a show of it. It wasn't a "let me do that for you, little lady" gesture. It was an act of service. Quiet. Constant.
"Kitchen sink's been swapped," he noted, nodding toward the small galley. "Handles are on the left. The light pulls, too."
I blinked, the fog clearing for just a second. "Hester did all that for a four-hundred-dollar-a-month rental?"
"The house likes to be useful," Beau said. It was a weird way to put it, but I was too tired to care. He paused at the door, his eyes lingering on my hands for a fraction of a second. A look of what? Solidarity? It wasn't pity. It was the look of someone who knew what it was to carry a weight. "Rest, Cass. The canal takes a while to get used to."
Then he was gone.
I stood in the center of the living room, alone. The silence was absolute, save for the distant thrum of cicadas in the woods.
My whole body was howling. The flare had reached the point where even my skin felt bruised. I felt that familiar, rising panic, the realization that I was in a new place, alone, and couldn't even unpack my toothbrush without crying. I reached out to steady myself against the wall, my left hand shaking.
And then it happened.
I felt a soft click somewhere in the walls. Not a mechanical sound, but something deeper. Like a bone settling into a socket.
The overhead lights, which had been a bit too bright, a bit too sharp for my sensory-scrambled brain, dipped. They didn't flicker. They just softened, turning a warm amber that didn't set off the ache behind my eyes.
I gasped, looking up, and then I felt it through the soles of my shoes.
The cypress floorboards weren't cold. They were radiating a gentle, steady heat, nothing like the dry, forced air of a heater. It felt like stepping onto sand that had baked in the sun all afternoon.
I kicked off my flats, my breath hitching. The warmth sank into my feet and traveled up my calves, easing the deep ache in my ankles.
I took a step. Then another.
The air in the cottage shifted. The oppressive humidity of the Gulf didn't disappear, but it changed. It became something gentler. Supportive. Like the house was holding its breath so I could finally catch mine.
I walked toward the bedroom, my movements loosening for the first time in weeks. The pain didn't vanish. Fibromyalgia isn't that kind, and neither is arthritis. But it retreated, from a scream to a dull, manageable hum.
I sank onto the edge of the bed. The mattress was firm, exactly where I needed it to be.
For the first time in twenty years, I don't feel like a "hassle." I don't feel like a clumsy burden in a world that wasn't made for me.
I feel accommodated.
I should be suspicious. I should wonder why a stilt house in a swamp is acting like a high-end spa. I should wonder why the handyman knew I was a southpaw before I opened my mouth.
But as the floorboards keep pulsing with that gentle, golden heat, and the shadows in the corners stretch out like a welcoming cat, I'm too tired to care.
I'm home. And for right now, that's the only thing that matters.**
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Season · stories in reading order
Cottages of Cypress Cottage
Seven women, seven cottages on a hidden canal where every house knows exactly what you need and comfort this perfect always asks for something back.
End of Episode 1
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