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The Void

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About this story

She disappeared from a rave. One text, six hours late.

**hey did u leave early? lol**

She never went home.

Rachel Santos has been invisible her entire life. The middle daughter nobody remembered to pick up. The girl saved in somebody's phone as Hoodie Girl. When two strangers pull her out of a crowd and a third one feeds her breakfast like she matters, she doesn't fight it.

She sinks.

Into their loft. Into their beds. Into a world where she is photographed like a masterpiece, marked like territory, and fed like something precious. Three men, three kinds of hunger, and starving invisible Rachel finally full.

She stops going to class. She stops checking her phone. By the time the worship shows its walls, her apartment is gone, her phone is dead in a drawer, and there is no outside left. Just a lock, and she turns it herself.

Nobody Came Looking: A Love Story is book one of The Loft Duet. A descent with no ladder. It will not apologize to you.

For readers of: dark romance with actual teeth, horror that happens somewhere warm and well fed, and love stories you'll need to shower after.

Your guide through this story

Coda Languez

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View story content warnings

These warnings apply to the story as a whole.

  • **Sexual content:** Explicit and frequent. Group sex (MFM/MFMM). BDSM elements including collaring, leashing, pet play, bondage, and pain play. Power dynamics that are eroticized b
  • **Sexual violence:** Drug-facilitated sexual assault in early chapters. Dubious and absent consent throughout. The line between desire and coercion is deliberately, uncomfortably b
  • **Drugging:** A central character is drugged at a rave. Substance use recurs as a tool of control.
  • **Psychological manipulation:** Gaslighting, love-bombing, identity erosion, isolation from support systems. Each of the three male leads manipulates differently — one through prot
  • **Coercive control:** Phone confiscation, monitoring, systematic removal of external relationships and independence. Presented from inside the cage — warm, seductive, and devastati
  • **Image-based abuse / Revenge porn:** Nonconsensual recording of sexual acts. Footage edited and distributed without consent. The weaponization of intimacy as a tool of captivity.
  • **Isolation / Agoraphobia:** A character becomes unable to leave the home. The agoraphobia is reinforced by every person she lives with. Depicted as both a trauma response and a ca
  • **Self-erasure / Identity loss:** A character's sense of self is systematically replaced by the roles others assign her. This is not a metaphor.
  • **Family estrangement:** Depicted not as dramatic rupture but as quiet, systemic invisibility — being the person nobody comes looking for.
  • **No redemption arc:** The abusers are not redeemed in this book. The love is real. The cage is also real. Both exist in the same sentence.

Story Soundtrack

The Apartment

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The door opens with a low whine and I walk in, fingers searching for the switch, my flats abandoned in the tiny vinyl entranceway before the carpet. The backpack slips off my shoulder without ceremony. The kitchen light turns on.

Well, the kitchen light. The main light in my 200-square-foot studio stays off. I should get it changed.

I think I say that every time I notice it.

I don't really need the light, to be honest. There is nothing here. Seven steps ahead: the tiny kitchenette — fridge, stove, sink, dishwasher. Eight steps to the right: the desk disguised as a dining table, the single chair, the stack of books I've actually read annotated to the margins in pencil, the notebook with a half-finished paper on Morrison's "Unspeakable Things Unspoken" that I will not show anyone. Two steps from the desk: the boxspring mattress I call a bed. Two steps from the bed: the tiny hallway that fits me and a pedestal sink across from a shower and toilet.

The sink had a toothbrush I didn't use this morning. I hadn't used it yesterday, either. Nobody was going to get close enough to know.

My life in one, empty, room.

I shuffle to the kitchen, not sure why I bother when I already know what's waiting for me. My body goes through the motions of opening the fridge, a scoff from my nose validating what I already knew.

I have an empty fridge, in an empty room. At least I cleaned out last week's cafeteria leftovers and the month-old milk. That was rank.

Productivity.

I close the fridge, taking one second to debate getting away before making the slow trek to the bed. I have time until the study group Stacy invited me to last minute because my eyes met hers while she was talking to her friends.

"Yeah, let's meet at the library!" Her eyes met mine and her open-mouth smile flickered. A pause.

I watched the calculation move across her face in two discrete steps. Does Stacy even know this girl. Will the group be weird about a stranger. I saw her decide to be generous about it a beat before she said so.

"Rachel, right?" She glanced back at her friends, their polite nods, their nonchalant shrugs, and turned back to me. "You can join us too!"

I hadn't asked.

"Okay."

I was a pity invite to a study group for a class I was barely functioning in.

...I was barely functioning anyway.

Before I could collapse onto the mattress, still in my shoes, my phone vibrates in my jacket pocket. I don't want to answer it.

I already know who it is.

She is the only one who calls, and when she does, it's because no one else has bothered to yet.

My eyes close. There is a shuddering breath stuck in my throat. If I don't pick up now, she'll try again tomorrow because Mom would poke and prod her. If I don't pick up then, she'll call later that same day because now it's a mission.

If I answer, how long would it take before I get another call?

From anyone.

God, that's depressing. If I don't answer, at least the phone will stay useful. If I do answer, the phone becomes inert.

I take a slow breath and pull out the phone, letting it vibrate twice more before I click the green accept button and bring it to my ear. "Hey, Mila."

"There you are." I can hear the slight tinge of annoyance. "Mom told me to check up on you."

Of course she did. Mom outsourced her job to you, and since you are the responsible one, you took time out of your busy day with your residency to check on me. No one else does, so you do, because Mom told you to, because she is busy with Valentina and I am inconvenient.

I don't say that. I can never say that.

I have to keep the peace, even now, in an empty studio apartment, in a world that keeps moving without me.

"Yeah, I'm sorry about that. I've been busy with classes, so I haven't called her."

I haven't called her because the last time I did, two weeks ago, she didn't pick up. I left a voicemail talking about passing my midterms and she never called me back. I haven't called her because the last time I heard from her was a chain message. From her church. My name wasn't on it.

"Well, make sure to let her know how you're doing. She's been busy with Tina's Quinceañera. A call might give her a distraction, you know."

Because a call from Rachel is one she'll definitely pay attention to between dress fittings and cake tastings.

I remember standing with thirteen other girls, holding small bouquets as Camila stood on the podium, Dad holding her manicured hands while Mom sniffled through her speech on how she was so proud of the woman her daughter is becoming.

How Camila looked in her hilariously puffy pastel pink and champagne gown, glittering tiara on her updo, any residual embarrassment at looking like one of those Barbie-doll cake gowns fading until the pride and joy on my parents' faces was all that was left in an overblown ceremony.

I stood watching her being fawned over by our abuelitos and abuelitas, clapping and crying, and for a moment, I looked forward to turning fifteen.

Money got tight. I understood. I always understood.

Mom is busy with Tina's Quinceañera.

I let out a shuddering sigh a little too closely to the phone.

Camila pauses. Her voice lowers. "You doing okay? Classes going well?"

My bottom lip trembles before my mouth parts. "I'm —" I close my mouth, choking on the words, my throat closing in before I try again. "Sure, I'm —"

"Good, glad to hear it. Glad to hear you finally honed in on a major. Rach, I'm jealous. I wish I was back in college. I don't know what I'd choose, but this residency has been hell. I couldn't even read one patient's chart, the handwriting was illegible. Thank God for the nurses, because that would've been a malpractice suit waiting to happen—"

"Uh huh."

I sink onto the edge of the bed, slouching until I'm curling into myself, holding the phone to my ear as a tear falls, the back of my head tingling uncomfortably. My mind goes foggy as I am held hostage by my sister, letting her vent, making the right sounds, and swallowing the three words I can't get out.

I'm not okay. Mila... I'm not okay.

For forty-five minutes, I am suffocating on my words, listening to my sister talk at me, thinking about Mom working on a celebration I never had but my baby sister will get, while the world moves on without me in a grey, empty studio.

The void will eat me alive.

No one will notice.

I hate it when I'm right.

No one has noticed that the page in my notebook is blank.

Here I am in the library, sitting next to a classmate I barely recognize — Grace, or Hope, a name that means a word I definitely have nothing of — staring down at my textbook on Quantitative Research Methods in Communication. I've been on the same page since I got here at five. Forty-five minutes in, and the page has not turned.

Which is, technically, a problem. Because I read this chapter two weeks ago. The margin notes in my own handwriting, small, precise, one in the corner about the difference between content analysis and discourse analysis that would earn me an A on Prof. Martin's quiz tomorrow if I could be bothered to open the notebook I wrote them in, were, along with every other page in this textbook, the only evidence in the world that I was paying attention to anything at all.

I was not going to open the notebook.

I was not going to share the notes.

The group had not asked. The group had not asked because the group did not know to ask, and the group did not know to ask because I had, six weeks into the semester, decided to stop raising my hand.

To be fair to myself, as undeserving as I am, the group around me did not make much headway either. It seemed that all of us gave up on even passing the quiz Prof. Martin would surely give us tomorrow.

I'll skate by with a C.

Average, neutral.

*Invisible.

All of the conference rooms were occupied, so we were one of many groups huddled at the round tables that filled the library center, surrounded by tall bookshelves that contained all books except for the one that you need. That you'll find in the College Co-Op, for the lovely price of this semester's dining budget.

My stomach growls, but with the noise of filled tables, students crowding the edges, long lines of teacher aides checking out materials for the syllabus of whatever course they were assigned, no one noticed.

Honestly, I'm about to tap out. I close my textbook, mumbling something under my breath like "Thanks for holding the group," before the person on the opposite side of Grace-Hope touches my elbow.

I shouldn't acknowledge it.

I shouldn't.

I glance over.

"You doing anything tonight?" Before I can even think of an excuse, she continues. It's as if everyone here knows the answer is no. "So like, we got VIP tickets to enter The Underground for their rave tonight and —" The stranger glances over to another stranger across from me. "Kimber pussed out."

"I didn't puss out, I'm spending the night at Cam's, fuck off." Kimber didn't even look up from her phone, her acrylic nails tapping rapid-fire against the screen.

The stranger — wait, I think I have her name, Elizabeth, Liz — looked back at me, her glare softening to a polite veneer of hospitality. "So, we got a spot open. Wanna join?"

Stacy perks up, leaning forward, perfectly timed to cut off the Uh — about to leave my lips. "You should join us, Rachel. If we have a full group, we don't need to wait in line!"

Kimber grabs my phone before I can even react. "Look, these bitches ain't gonna shut up till you say yes, so I'mma drop Stacy's number. She seems to know you, right? Hey, can you unlock it?"

"Uhmm, wait, hold on." I manage to pry my phone out of her pink nails, my heart beating out of my chest, my ears hot with shame.

I don't want them to see how empty my phone is. The contact list with no scroll bar, the chain prayer message from my mom, the text left on read by my dad, the security code from whichever food app I used last.

Kimber raises an eyebrow, but Liz cuts her off. "Chill, Kim. I'll add her to the group chat. Stace, you got her number?"

Stacy pulls out her phone, her thumb scrolling once, then twice, then a third time before pausing. "Yeah, I got it. This your number, right?"

She holds up the screen, and I nod numbly.

That was my number, right next to the name Hoodie Girl.

With my nod, my phone buzzes and all of a sudden I'm in a digital room filled with over ten numbers I don't recognize, filling the space with emojis about something that has nothing to do with me, until now.

"Right, you're in!" Stacy's grin blinds me as she puts her phone away. "We're taking the 10 p.m. DT Bus right outside JSH. You know the stop, right?"

I nod. "I take the 7 p.m. to get to my apartment —"

"Great! We'll see you on the way, then!"

I was the first one ready to go, and yet managed to be the last one out of the table, my classmates already abandoning the study session.

Grace, or Hope, I still don't know, calls out to me over the crowd. "Make sure to wear something cute! Gotta get our free drinks somehow!"

In the span of five minutes, I got roped into going to the worst possible situation for me.

A rave.

I glance down at my phone, chewing my bottom lip. The chat, the never-ending flurry of activity, already spamming with glee and eggplant emojis that have absolutely nothing to do with produce.

I guess I should get ready.

The pause between people...
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Season · stories in reading order

The Loft Duet

First, nobody came looking. Then somebody knocked. She vanished from a rave and got one text about it. Six hours late, ending in *lol.* Three men carried her home like something worth keeping. They fed her. They worshipped her. They made her the center of a world that shrank until it fit inside four walls. Rachel Santos locked the door herself. She knew what the cage was. She stayed because the cage was warmer than anything the void had ever offered. Then her body started building something that didn't belong to any of them. *The Loft Duet* is one woman's story told in two acts — the descent and the door. The first book sinks you in warm water and holds you under. The second cracks the surface from below. Together, they ask the only question that matters: What happens when the girl the world forgot remembers she's allowed to exist in the sun? A darkly seductive, psychologically devastating duology about worship and erasure, captivity and reconstruction...and a love story that earns the subtitle on the s

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